For this second third of our series of three experimental Mnemosonic concerts, we will add a layer to our investigation, not only considering sonic relations in terms of mechanic vibrations, but also how electric vibrations intervene and interfere with this first layer, how the tweaking of a knob on one synthesiser leads the behaviour of the other to modulate, and subsequently, how musicians will acknowledge these electric impulses. In this second third, the mesh of vibrational relations gets thicker and murkier, bouncing between patch cables, control voltages, speakers, visitors, musicians, room, and air.